"Twas a balmy summer evening,and a goodly crowd was there,
which well-nigh filled Joe's barroom on the corner of the square.
And as songs and witty stories came through the open door,
a vagabond crept slowly in and posed upon the door.

"Where did it come from?"someone said,"The wind has blown it in."
"What does it want?"another cried,"Some whiskey,rum or gin?"
Here,Toby,sic'em,if your stomach's equal to the work,
I wouldn't touch him with a fork,he's filthy as a Turk."

This bandinage the poor wretch took with stoical good grace,
In fact,he'd smiled as though he thought he'd struck the proper place.
"Come boys,I know there's kindly hearts among so good a crowd,
to be in such good company would make a deacon proud."

"Give me a drink--that's what I want--I'm out of funds,you know.
When I had cash to treat the gang,this hand was never slow.
What?You laugh as though you thought this pocket never held a sou,
I once was fixed as well,my boys,as anyone of you."

"There,thanks,that's braced me nicely,God bless you one and all,
Next time I pass this good saloon,I'll make another call.
Give you a song?No,I can't do that;my singing days are past,
my voice is cracked,my throat's worn out,my lungs are going fast."

"Say!Give me another whiskey,and I'll tell you what I'll do,
I'll tell you a funny story,and a fact,I promise you.
That I was ever a decent man not one of you would think,
but I was,some four or five years back.Say,give me another drink."

"Fill 'er up,Joe,I want to put some life into my frame,
such little drinks,to a bum like me,are miserably tame.
Five fingers--there,that's the scheme--and corking whiskey,too.
Well,here's luck,boys,and landlord,and best regards to you."

"You've treated me pretty kindly,and I'd like to tell you how
I came to be the dirty sot you see before you now.
As I told you,once I was a man,with muscle,frame and health
and,but for a blunder,ought to have made considerable wealth."

"I was a painter--not one that daubed on bricks or wood,
but an artist,and for my age,was rated pretty good.
I worked hard,at my canvas,and was bidding fair to rise
for gradually I saw the star of fame before my eyes."

"I made a picture,perhaps you've seen,'tis called the 'Chase Of Fame',
it brought me fifteen hundred pounds,and added to my name.
and then I met a woman--now comes the funny part,
with eyes that petrified my brain,and sunk into my heart."

"Why don't you laugh?'Tis funny that the vagabond you see
could ever love a woman,and expect her love for me;
But,'twas so,and for a month or two,her smiles were freely given,
and when her loving lips touched mine,it carried me to heaven."

"Did you ever see a woman for whom your soul you'd give,
with a form like Milo Venus,too beautiful to live.
With eyes that would beat the Koh-i-noor,and wealth of chestnut hair,
if so,'twas she,for there was never another half so fair."

"I was working on a portrait,one afternoon in May,
of a fair-haired boy,a friend of mine,who lived across the way.
And Madeline admired it,and much to my surprise,
said that she'd like to know the man that had such dreamy eyes."

"It didn't take long to know him,and before the month had flown,
my friend had stolen my darling,and I was left alone.
And,'ere a year of misery had passed above my head,
the jewel I had treasured so was tarnished,and was dead."

"That's why I took to drink,boys,Why,I never saw you smile.
I thought you'd be amused,and laughing all the while.
Why,what's the matter,friend?There's a teardrop in your eye.
Come,laugh like me;'tis only babes and women that should cry."

"Say,boys,if you give me another whiskey,I'll be glad,
and I'll draw right here a picture of the face that drove me mad.
Give me that piece of chalk with which you mark the baseball score.
You'll see my lovely Madeline upon the barroom floor."

Another drink,and with the chalk in hand,the vagabond began
to sketch a face that might well buy the soul of any man.
Then,as he placed another lock upon the shapely head,
with fearful shriek,he leaped and fell across the picture----DEAD.

I would imagine that most's initial introduction to this poem,by H. Antoine D'Arcy,first published in 1887,was through a reprint of the April 1954 issue of MAD,where it was given an irreverant treatment through illustrations by Jack Davis,with a final visual punchline from Basil Wolverton.It alway's been one of my favorites.